‘Come, cry a truce. Over the mantel, set into an ornately carved panel with fluted columns at each end, was a portrait of a man on horseback. The drawers at the moment were too busy to attend to her, and she would have seized the opportunity of examining, unperceived, the assemblage within, through a little curtained window that overlooked the adjoining chamber, if an impediment had not existed in the shape of Baptist Kettleby, whose portly person entirely obscured the view.
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This video was uploaded to jandlonmark.org on 10-07-2024 02:15:03
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